![premiere cc multicam premiere cc multicam](https://i.ytimg.com/vi/2430BAF8NHU/maxresdefault.jpg)
Create a new Sequence called "EDIT" - duplicating SYNC and removing media works. (Nesting Audio would have been ideal - but was not possible at the time with CC2015). Export as a WAV and place into the SYNC sequence as Camera 4.
![premiere cc multicam premiere cc multicam](https://i.ytimg.com/vi/RTbw57Uw31I/maxresdefault.jpg)
For multi-track Audio - move to a new, standalone sequence and mix. Drop in the video and audio tracks and manually sync up. Create a new sequence to synchronise all media. Give this a shot and see how much this can speed up your workflow.Step 1: Create SYNC. I usually say there isn’t a wrong way to do anything in post, but if you are editing multi-cam footage and not using the multi-cam editing tools then you’re doing it wrong. Even cooler, when you want to switch camera angles on an edit all you have to do is highlight the clip and click to make your shot choice. You won’t see the cut happening in real-time until you stop the playhead, and minor adjustments and corrections can be made using the rolling edit and trim tools on the timeline. Bring your playhead to the start of the sequence, play, and select your angles in real time by either clicking on the angle in the source monitor, or pressing the angle number on the keypad. You’ll see all of your camera angle options in the source monitor in a grid. To enable multi-camera editing, click the Multi-Camera view option in Premiere which can be added to your toolbar by clicking the + sign under your program window. This will create a multi-cam sequence and a processed clips folder.Īssuming all things went smoothly with syncing, you’ll now create a new sequence or add this multi-cam sequence to your editing timeline sequence which is as simple as dragging and dropping the ‘clip’ onto or into your timeline window.Īll of the synchronized footage will be presented to you as one single video clip on your timeline – pretty cool, eh?
![premiere cc multicam premiere cc multicam](https://www.provideocoalition.com/wp-content/uploads/ppro-multicam-main-1024x720.jpg)
Through multicam editing, you can review all of that material at the same time, edit on the fly, and maybe even end up with an extra few hours to go outside and have a normal life. Syncing and aligning all of that footage on a timeline and cutting between V1-V10 is actually a lot more work than it seems and it makes things even more complicated when changes need to be made.
Premiere cc multicam tv#
Whether it’s just a 2 camera interview, a 4 camera live event, or even a 10 camera reality TV series, somebody has to watch all of that footage and quickly decide what stays and what goes. And although it’s great to have options, having to sift through potentially hundreds of hours of footage really puts a damper on the evening plans of your editor. If it wouldn’t completely blow the budget, I suspect most producers would probably add hundreds of cameras to every shoot – thinking the more the merrier.
![premiere cc multicam premiere cc multicam](https://helpx.adobe.com/content/dam/help/en/premiere-pro/using/monitor-overlays/jcr%3Acontent/main-pars/image_1/camera-overlays.png)
Let’s take a look at this great tutorial from Mark Holtze to see how it’s done. With just a little bit of prep time at the start, you can sync the video footage and audio from every camera that was rolling – allowing you to easily review, locate, and adjust shots in a flash. I’ve seen so many timelines where new editors were cutting multicam footage across multiple video tracks rather than creating a single multicam clip, and it has always left me a little perplexed.
Premiere cc multicam professional#
Every professional editing application has some implementation of multicam editing and Adobe Premiere Pro’s is probably the best.
Premiere cc multicam software#
Using and understanding the multicam editing features in any non-linear editing software can save you incalculable amounts of time in the edit room.